![]() ![]() The sunlight-washed penthouse is now a highly edited environment that is also warm and winsome. With the exception of a custom-built sofa made for one of the living areas, they were even able to reuse most of the furniture from their loft, an amazing feat considering the odd nooks that Rudolph created in the 3,800-square-foot space. In the Rudolph residence, they transformed the once chaste and chilly space into a true family abode. Christine then joined the hotelier André Balazs’s design team, while John worked with Thad Hayes and David Easton. The couple were both on staff at Studio Sofield when they met more than 20 years ago. The terrace’s chairs are custom, the table is by Blu Dot, and the Charlotte Perriand stool is from Cassina. The main bedroom’s coverlet and throw are by RW Guild, the lamp is by Lightolier, and the artwork is by Nancy Lorenz. He preferred transparency over privacy and was untroubled that walking over clear floor inserts with views to the space below might make people queasy. He never cared much for railings (tales from the 1970s abound of Liza Minnelli and other tipsy stiletto-shod guests scaling the floating staircase in Halston’s Rudolph-designed townhouse on 63rd Street). Rudolph favored cutting up volumes into Escher-like planes with subtle asymmetries, with mezzanines and staircases galore (even within a single “room”). But one sobriquet has rarely been used to describe the space, at least until now: homey. Over the decades, the house has been called audacious, awe-inspiring, and absurd it was landmarked in 2010. With Plexiglas floors, reflective steel beams, glass walls, and six terraces, several with full views of the river and the coursing FDR Drive below, the interior blended the verve of Russian constructivism, the sleek International Style of Mies van der Rohe, and the fractured, geometric imagination of Piet Mondrian. While Rudolph left the elegant facade intact after dressing up the rental units, at the top he cantilevered what may be the most eye-catching addition to any 19th-century building in the city: a jagged multilevel aerie that hangs out over the staid residential enclave. A view of the Manhattan penthouse designed in the 1970s by architect Paul Rudolph as his residence and studio, now the home of designers Christine and John Gachot.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |